Alla MAULBERTSCH, Franz Antons Oljemålningar
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| ID |
Bilder |
Oljemålningar Från A till Z |
Information |
| 64574 |
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Adoration of the Shepherds |
1758 Fresco Parish Church, S?meg Artist:MAULBERTSCH, Franz Anton Title: Adoration of the Shepherds, 1751-1800, Austrian , painting , religious |
| 64575 |
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Adoration of the Shepherds |
1758 Fresco Parish Church, S?meg The detail shows the self-portrait of the artist. Artist:MAULBERTSCH, Franz Anton Title: Adoration of the Shepherds (detail), 1751-1800, Austrian , painting , religious |
| 8156 |
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Adoration of the Shepherds (detail) sg |
1758
Fresco
Parish Church, S??meg |
| 33833 |
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Adoration of the Virgin |
mk86
1757
Heiligenkreuz-Guttenbrunn,Orgelchor
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| 21948 |
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Adoration of the Virgin (mk08) |
1757
Ceiling fresco
Heiligenkreuz-Guttenbrunn,Orgelchor |
| 64567 |
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Allegory of the Alba |
1750 Oil on canvas, 67 x 53 cm Wallraf-Richartz Museum, Cologne Tha artist made no distinction between religious and mythological or allegorical subjects, he appalied the same rococo style for all. Artist:MAULBERTSCH, Franz Anton Title: Allegory of the Alba, 1751-1800, Austrian , painting , mythological |
| 64417 |
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Annunciation |
1794 Oil on canvas, 81 x 52 cm Bishop's Residence, Szombathely This study was executed for the fresco on the nave ceiling in the Cathedral of Szombathely. Artist:MAULBERTSCH, Franz Anton Title: Annunciation (study), 1751-1800, Austrian , painting , religious |
| 8158 |
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Annunciation (study) sg |
1794
Oil on canvas, 81 x 52 cm
Bishop's Residence, Szombathely |
| 19342 |
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Apotheosis of a Hungarian Saint |
1773
Oil on canvas
Gemäldegalerie, Berlin. |
| 64611 |
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Ceiling decoration |
1782 Fresco Episcopal Palace, Szombathely Artist:MAULBERTSCH, Franz Anton Title: Ceiling decoration, 1751-1800, Austrian , painting , religious |
| 64612 |
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Ceiling decoration |
1782 Fresco Episcopal Palace, Szombathely Artist:MAULBERTSCH, Franz Anton Title: Ceiling decoration (detail), 1751-1800, Austrian , painting , religious |
| 64573 |
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Christ and Godfather |
1758 Ceiling fresco Parish Church, S?meg Artist:MAULBERTSCH, Franz Anton Title: Christ and Godfather, 1751-1800, Austrian , painting , religious |
| 64576 |
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Crucifixion |
1758 Fresco Parish Church, S?meg Artist:MAULBERTSCH, Franz Anton Title: Crucifixion, 1751-1800, Austrian , painting , religious |
| 64403 |
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Decoration of the Cupola |
1783 Fresco Parish Church, P?pa Artist:MAULBERTSCH, Franz Anton Title: Decoration of the Cupola, 1751-1800, Austrian , painting , religious |
| 64404 |
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Decoration of the Cupola |
1783 Fresco Parish Church, P?pa The detail depicts the Preaching of St Stephen. Artist:MAULBERTSCH, Franz Anton Title: Decoration of the Cupola (detail), 1751-1800, Austrian , painting , religious |
| 68373 |
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Der Apostel Philippus tauft einen Eunuchen |
Technique Deutsch: Öl auf Papier
Dimensions Deutsch: 50,5 ?? 34,5 cm
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| 72459 |
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Der Apostel Philippus tauft einen Eunuchen |
c. 1750
Öl auf Papier
50,5 X 34,5 cm
cjr |
| 8155 |
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Interior of the Church sg |
Parish Church, S??meg |
| 44433 |
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Joseph and his Brothers |
1745-50
Oil on canvas,
73 x 90,5 cm |
| 8154 |
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Joseph and his Brothers t |
1745-50
Oil on canvas, 73 x 90,5 cm
Museum of Fine Arts, Budapest |
| 63081 |
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Mary Magdalene |
1754 Oil on canvas Cistertian Church, Zirc The picture shows the influence Piazzetta's painting. Artist: MAULBERTSCH, Franz Anton Painting Title: Mary Magdalen , 1751-1800 Painting Style: Austrian , , religious |
| 64566 |
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Rebecca and Eliezer |
1745-50 Oil on canvas, 72 x 91,5 cm Museum of Fine Arts, Budapest The painting and its companion-piece, Joseph and his Brothers, are early works showing the influence of Troger and the Venetian painter Giovanni Battista Pittoni. Artist:MAULBERTSCH, Franz Anton Title: Rebecca and Eliezer, 1751-1800, Austrian , painting , religious |
| 64607 |
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St Paul |
1759 Oil on canvas, 200 x 113 cm Hungarian National Gallery, Budapest The painting was comissioned for the Parish Church at Balassagyarmat, Hungary. Artist:MAULBERTSCH, Franz Anton Title: St Paul, 1751-1800, Austrian , painting , religious |
| 28441 |
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The Baptism of the Eunuch |
mk60
Oil on canvas
20x13 1/2"
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| 19341 |
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The Death of Saint Joseph |
1767
Oil on canvas
Hungarian National Gallery, Budapest. |
| 64570 |
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The Education of the Virgin |
. 1755 Oil on canvas, 60 x 30 cm Kunsthalle, Karlsruhe Artist:MAULBERTSCH, Franz Anton Title: The Education of the Virgin, 1751-1800, Austrian , painting , religious |
| 63083 |
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The Trinity - Oil on canvas |
62,5 x 33 cm Museum of Fine Arts, Budapest It was as a master of fresco-painting and as a most prolific decorator of churches and palaces in Austria, Czechoslovakia and Hungary that Franz Anton Maulbertsch was most appreciated by his contemporaries. Perhaps nowadays greater value is placed on his surviving bozzetti - sketches painted in gloriously fresh colours with brilliant technique. His late works, such as The Holy Trinity, a sketch for an altar-piece, are fluid in their handling, and the light colours give a silvery effect. In these sketches Maulbertsch captured his subjects with a few unbelievably light strokes of the brush and some spots of colour permeated with light. When he elaborated these sketches in their final form, however, particularly in the case of the later altarpieces, the spontaneity was often lost, the forms becoming heavier and the hues muted. This sketch from the late period of the artist was identified as a study for the altarpiece in the Parish Church in Wien-Reindorf. Artist: MAULBERTSCH, Franz Anton Painting Title: The Trinity , 1751-1800 Painting Style: Austrian , , religious |
| 8159 |
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The Trinity wtu |
Oil on canvas, 62,5 x 33 cm
Museum of Fine Arts, Budapest |
| 8157 |
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Visitation (detail) sgh |
1771-77
Fresco
Cathedral, V??c |
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| MAULBERTSCH, Franz Anton
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| Austrian Painter, 1724-1796
Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century
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